Please call back later <a href=" http://www.memories-book.co.uk/blog/powerpoints-online/ ">educating rita essay introduction</a> Both visually and thematically, Ron Howard approached Rush more like a rock&rsquo;n&rsquo;roll film than a sports movie, drawing inspiration from the Maysles brothers&rsquo; groundbreaking documentary Gimme Shelter, which chronicled the Rolling Stones&rsquo; Altamont gig in 1969, aiming for the feel of &lsquo;an observed story from the period&rsquo; rather than a slickly directed Hollywood movie. Moreover, Howard was keen &lsquo;to inform the racing with what we were learning about the characters&rsquo; psyches and personalities in the scenes away from the track&rsquo;, with the result that each race, be it in Crystal Palace, Monza or Fuji, has its own narrative and character. &lsquo;That&rsquo;s one of Ron&rsquo;s brilliant gifts as a storyteller,&rsquo; Andrew Eaton says. &lsquo;He was really obsessed with seeing their faces during the races. A lot of directors would go, &ldquo;It&rsquo;s just a race.&rdquo; But Ron was so pedantic and particular, to the point it would drive us all crazy, but he was right. You can really feel we&rsquo;re not cheating it. It feels real.&rsquo;