The National Gallery http://ghettotube.in.net ghettotube.com The twist — or, more accurately, one among many — is that, as the only lawyer with access to classified evidence and testimony, Claudia can’t share her evidence with Martin, so the two are forced into a game of cat-and-mouse in which they’re on the same side. Their relationship is made even more complicated by what can be politely called emotional baggage. The fact that screenwriter Steven Knight saw fit to give them a history that’s so creakingly cliche is the first of many disappointments in a script rife with convenient coincidences, predictable plot contrivances and breathtakingly perfunctory revelations.