Looking for work <a href=" http://www.hotclubofmarin.com//gigs.html#annoy ">purchase salmeterol</a> Greengrass attacks the subject with great energy, and his usual steadicam, on the fly approach. The bouncing camera feels a bit too jarring during the opening land-based scenes, but proves to be a great asset in conveying the tension and disorientation during the hijacking, And the danger. Like the captured crew, we never know when a gun barrel will appear as we sneak along the deck. And there&#8217;s the mood of impending danger. Greengrass even does a bit of a Hitchcock homage&#8217; as Hanks peers through his binoculars and sees Abdi staring right back at him (ala&#8217; REAR WINDOW). For the third act Greengrass cuts expertly between the miliary precision of the US naval forces and the increasing desperation on the lifeboat. But this is no open-air canoe (like another Hitchcock classic LIFEBOAT). This vessel is almost an above-the-water submarine with very small windows. In the interior scenes we can almost smell the sweat and breathe the stale air in this big fiberglass coffin. Although this story dominated headlines for many days, the film still has a sense of urgency and discovery. The news reports just hinted at the drama. Greengrass along with his extraordinary cast and crew have truly made history come alive. The riveting CAPTAIN PHILLIPS will have you on the edge of your seat as you experience one of the finest films of the year.